COLOURS OF LOVE
The story of Holi begins on Sarasvati Puja which is also known as Bhasant Panchami.
Bhasant Panchami is the 5th Moon day festival in the month of the Yogic crocodile.
It is the beginning of welcoming the spring.
In 40 days hence of Sarasvati Puja is the full Moon of Holi.
Holi the festival of colours when the first lunar rays of spring are transferred to us on earth on this full Moon day.
Holi is the festival of colours that has become known worldwide in recent years.
On Holi people play a game where they throw colored powders, or water mixed with different coloured powders upon each other.
The festival of Holi is usually understood as the celebration of life and colour, but what does this fun filled festivity of playful games signify for Tantrics?
THE STORY OF HOLI
There are variations of the stories surrounding Holi, from the colourfull love game of Radha & Krishna, to the cloak of immortality saving the life of Prahlada from the designs of his evil auntie Holika.
The story about to be told, itself has its own slightly varying forms. The essence of the Story that follows is clearly spelled out as the rebirth and awakening of colour, sound and love
The Story begins with Love.
Pharbhati was the incarnation of Shakti, the earthly manifestation of Shiva’s eternal love.
She is the manifestation of Adiparashakti (the essence of feminine power) that had taken form into the physical plane of manifestation.
She was in Love with Shiva, but Shiva was so aloof and remote – given to continuous Yogic practices and austerities in far off places.
He seemed to be far beyond any romantic sentiments – dwelling in Adiparaparush (the great soul beyond).
Though Shiva dwelt in the manifest plane of earth, he traveled spiritually to the essence of the original Bindu (seed of spirit).
Notice how the opposite of Shiva and Shakti collide here in Adiparashakti and Adiparaparush.
Pharbhati was an incarnation of Shiva’s Lost Love Sati.
After losing his Love and going half mad in rage and longing, Shiva was more ardent than ever to enter into the ultra-terrestrial realms beyond the reach of the human hand.
There was no way that Pharbhati could arouse any interest from Shiva.
The Devas had the motive of helping Pharbhati in her endeavour, for it had been foretold that together they would have a child who would save the world of the Devas from Asuraic forces (The Asuras are beings that work for division and the Deva’s are beings who unify. Often translations relate them simply as Demons and Angels, but such transposed terms have other connotations that are not descriptive of the principles of Asura and Deva).
Kama was summoned by Pharbhati to help her win Shiva’s Heart.
Kama is the god of love who shoots arrows made of flowers from a sweet sugarcane bow. Kama’s arrows arouse desire in anyone struck by them.
Shiva was so far gone into the ultra-terrestrial worlds that he seemed impervious to Kama’s arrows of desire.
Kama together with his two wives Rati and Priti -representing pleasure and longing – tried to arouse Shiva’s interest for Pharbhati.
Rati and Priti tried their utmost to coax desire for Pharbhati out of Shiva.
They tried with all their powers and charms but to little avail.
Shiva was ever so slightly disturbed by their attempts that he opened his third eye, and like a bolt-like-beam of concentrated rage, he shot a glance at the god of desire and burnt him to ashes, with desire gone there was no hope of Union.
Indeed without desire the whole creation was in peril. Pharbhati was heartbroken at the prospect of failed love with Shiva, equally sad and angry were the now-widows of the god of love.
It took 40 days of wild feminine rage and tears to finally melt the heart of Shiva, and when it did melt, he restored Kama to life and entered into eternal embrace with Pharbhati.
The resurrection of Kama (desire)
and the resultant Union of Shakti and Shiva
is the day upon which Holi rises and falls.
Holi marks the arrival of spring and the colours of life & love,
ready to come into flower in a place where stories are not only written, but lived.
MELODIES OF LOVE
The full Moon of Holi reflects the lunarly beginnings of Spring.
The medium of the full Moon reflects these forces of colourful flowering to us on earth
Nature now affects the hormonal currents as flowering abounds in the plant, animal, human and spiritual worlds.
Sarasvati is the Goddess who plays the sacred melodies of love upon the Veena (a stringed musical instrument).
The Veena is a seven stringed Yogic instrument that has deep effect upon the Chakric system.
The seven strings of the Veena, correlate to the seven Chakras.
The four melody strings of the Veena relate to the 4 lower Chakras, and to their corresponding tangible physical elements. Where’s the three drone strings of the Veena correspond to the subtle elements that rule the upper 3 Chakras above the Kalabhand (diaphragm)
Sarasvati is the Goddess of music and wisdom. She is the beloved of the creator Brahma. She is the one who receives the seed of creation and gives birth to the fruit. Her fruit is the music of Love.
The beginning of Holi began 40 days previously on Bhasant Panchami, which is Tantricly known as the ritual day of Sarasvati Puja. It is the day when she starts to play her melodies of love that culminate on the Holi full Moon.
Holi takes place upon the full Moon 40 days hence of Sarasvati Puja.
It is upon the Puja day of Sarasvati, that Shiva burned Kama the god of desire to ashes.
Shiva did not want to be disturbed from his Samadhi, and when Pharbhati and the lord of desire along with his wives Rati and Priti tried to awaken Shiva’s desire, he burned Kamadev to a crisp and then went on again with his meditation.
Following the death of desire, Sarasvati playrd all the Ragas (melodies) for the 40 days that the saga of Love went on for, (from her Puja day until the full Moon of Holi).
Her music sets the forces of spring in motion.
All the notes and scales of Love does she play, in the eternal story of Love and its endless trials and tribulations.
When the final Union came about
between Pharbhati and Shiva,
the complete scale of colours
that had been played for 40 days
erupted into the festival of Holi.
Please note: For this ritual you will require seven pieces of paper that reflect the rainbow of the colour spectrum: red, orange, yellow, green, blue, indigo and violet. You can be creative and use scarfs or coloured objects of your choice.
We will be engaging in Tantric Mudra of colour, known as Rangi Mudra – literally the practices and attitudes of colour.
Musicians & artists of the soul are welcomed.
to this focused ritualistic Yogic practice
of working with the colours and sounds
of love in the Chakras
Tantric lore has traditionally kept the Holi full Moon for the ritual practice of inner and outer colour and sound. The intonations of each Chakra along with inner and outer work with colours is ritualised in a colourful practice of awakening to life and love.
The effect of these practices is to open the potentialities of the Chakras.
The Chakras are doorways to the spirit, and can be accessed with the keys of sound and colour. Working with the Chakras opens the psycho-physical doorways of our being.
Emotional and physical memory is stored in the Chakras, and gives shape to the reality and dreams we live through in our lives.
Tantrics understand that we create our lives through the lenses of the Chakras.
By working with the Chakras, we create the possibilities to open to the spring like blooms of love and uproot the dead and faded bouquets of yesteryear… in the healing journey of life that we are all upon.
Like the Music of Sarasvati, the sacred song of the heart and its colourful sounds are infinite and eternal.
There awaits the possibility of magical and hitherto unknown mystical tones when we open the doorways of the Chakras into the melody of expansive resonant being.
Into the melody of Love.